An Afro-Caribbean wedding is prepared differently
Congolese, Cameroonian, Nigerian, Martinican, Guadeloupean weddings — and many weddings where a Caribbean or African family meets a French family. I DJ these evenings in the Gironde and across Nouvelle-Aquitaine, and I can tell you what sets them apart from a classic wedding.

The real challenge: two repertoires in the same room
At these weddings there is not one audience but two, and they do not dance to the same thing. The parents, uncles and grandparents are waiting for Congolese rumba and soukous. The twenty-five-year-old cousins are waiting forafrobeats andamapiano.
A DJ who plays only one empties half the floor. The whole difficulty lies in the transitions: knowing at what point in the night to switch, and how to come back. That work is prepared beforehand, not on the night.

What I play
West and Central Africa — afrobeats, coupé-décalé, ndombolo, Congolese rumba, soukous.
Caribbean — zouk, kompa, dancehall, shatta.
More recent — afro-house and amapiano, for the heart of the night.
And the rest — Latin and reggaeton, international pop, 80s and 90s, French. Because an Afro-Caribbean wedding is almost never exclusively Afro-Caribbean: there are always guests from elsewhere, and they have to dance too.
Your must-plays, your do-not-play list and the symbolic moments are prepared together before the big day, in your private LexPlay space. See how I prepare a wedding playlist →
A Congolese wedding in the Gironde, August 2026
Eleven hours on site, two families, a dance floor that never emptied. The grandparents and the twenty-year-old cousins alike danced — and that is the only test that counts.
“The atmosphere was incredible, you read the room and the guests perfectly to keep everyone on the dance floor from start to finish, getting every generation and every culture dancing. […] the music quiz between the main course and dessert was a great idea to set things alight. We recommend you 100%.”
Emma & Benel — Congolese wedding, August 2026 · 5★ Google review
What I am asked most often
“Do you really know our music?” — Yes, and that is why I ask for your tracks beforehand. Nobody knows your family better than you: my job is knowing what to do with them and in what order.
“Our parents will never dance to afrobeats.” — They do not have to. There is a moment for them and a moment for the others, and the evening is built that way.
“We have guests who know nothing about this music.” — That is the case at almost every wedding I play. A mixed dance floor can be managed: it is the very heart of the job.
Let’s talk about your wedding
Tell me the date, the venue and where your families come from. I reply within 24 hours with a detailed quote.
